Episode Twelve features John E. Dowell, Jr., a nationally recognized artist. His work captures the pulse of cities and agricultural landscapes of America in his large-scale photographs. Working primarily from sunset until dawn, he focuses on the surface of buildings, the reflections of their exteriors and, quietly, their interior spaces. Illuminating the unseen, he brings awareness to a single moment. In this episode, we focus on ‘COTTON: THE SOFT, DANGEROUS BEAUTY OF THE PAST’ and the history of slavery in New York City.

An artist and master-printer for more than four decades, Dowell’s fine art prints, paintings and photographs have been featured in more than 50 one-person exhibitions and represented in the permanent collections of 70 museum and public collections. Among them are the Museum of Modern Art and the Metropolitan Museum of Art in New York City, the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, and the Bibliothèque Nationale in Paris, France. Dowell’s photographs are in the Houston Museum of Fine Arts and have been added to his work in the collections of the Fogg Museum of Harvard University, the Museum of the Rhode Island School of Design and the Lehigh University Museum.

John Dowell is a Philadelphia native and Professor Emeritus of Printmaking at the Tyler School of Art at Temple University.

https://johndowell.com/

http://www.laurencemillergallery.com/exhibitions/john-dowell

https://hyperallergic.com/485798/cotton-the-soft-dangerous-beauty-of-the-past/

https://brooklynrail.org/contributor/Nico-Wheadon

https://news.artnet.com/exhibitions/ford-foundation-gallery-radical-love-1612009

“Bursting Out” Photographic Composition of Wall Street, New York, NY, 2017

A favorite painting ~ Kerry James Marshall’s ‘Watts’