Photo Credit: Stephen Velastegui

Ep. 127 features Miles Greenberg (b. 1997 in Montreal, Canada). He is a New York-based performance artist and sculptor. His work consists of large-scale, sensorially immersive, and often site-specific environments revolving around the physical body in space. These installations are activated with often extreme durational performances that invoke the body as sculptural material. These performances are then captured in real-time before the audience to generate later video works and sculptures. Rigorous and ritualistic in its methodology, Greenberg’s universe relies on slowness and the decay of form to heighten the audience’s sensitivities. The work follows self-contained, non-linear systems of logic that are best understood in relation to one another

At age seventeen, Greenberg left formal education, launching himself into four years of independent research on movement and architecture, which spanned a number of residencies in Paris, northern Italy, Beijing, and New York. He has worked under the mentorship of Édouard Lock, Robert Wilson, and Marina Abramović, and has since exhibited extensively internationally.


No intermission October 2022

New Museum

Cultured Magazine


Nuvo Magazine

Document Journal 2022

Document Journal 2021

Art In America




Document Journal 2020



Document Journal 2020

The Artnewspaper

Landscape With Figures, 2022
Photo credit: Joy Hansson

Admiration Is The Furthest Thing From Understanding, 2021
Photo credit: Kanrapee Chokpaiboon

Orpheus 1, Icarus 1 and Narcissus 1, both 2021
Photo credit: Tony Hafkenscheid

Photo credit: Maria Baranova


Fountain I, 2022
Photo credit: Maria Baranova